I can remember very clearly hearing him speaking about it. 515 BC. Side A of the so-called “Euphronios krater”, Attic red-figured calyx-krater signed by Euxitheos (potter) and Euphronios (painter), ca. we were focusing on only one part of the story: in fact, we can talk about a lot of different moments of reception by thinking about this one object.Story 1: Euphronios painted the scene some time in the late sixth century (we would like to know, for instance, whether this was before or after the reforms of Cleisthenes, which established the first phase of the Athenian democracy, but as far as I know the dating is not specific enough for that). As we’ll see, we also know something of its history since it was made.I have been thinking about this recently because I included a seminar on ‘reception’ in my undergraduate module on the Homeric I asked the students to look at the image and to think about how it related to the passage in the This was all very interesting, and I hope the students thought so too, but (there were Constraints Of Time: there always are!) Glaucus tells Hector that Sarpedon has been killed and that Ares has done it using the spear of Patroclus. Source: Wikimedia commons. The Met had acquired the pot in the 1970s for what was then a very high price, but it now seems clear that it had not been imported into the USA in a way which respected international heritage agreements.

Photo by Jaime Ardiles-Arce. 515 BC. "What I hope this blog accomplishes is to create even the tiniest amount of common consciousness among readers from the parts of the world in question. I guess I think maybe the destruction of the frescoes of the upper church of San Francesco of Assisi in 1997 is as tragic as a loss of life.The Metropolitan’s Greek collection is not terribly impressive. H. 45.7 cm (18 in. The Euphronios (Sarpedon) krater is a red-figure calyx krater made in Athens circa 515 BC, 46 cm high and 55 cm in diameter, signed by Euxitheos as potter and Euphronios as painter. Formerly in the Metropolitan Museum of Art, New York (L.2006.10); Returned to Italy and exhibited in Rome as of January, 2008. The pot in the picture is a big (about 45 cm tall) krater (mixing bowl for wine), manufactured in Athens in the late sixth century BC. One the most irritating cases of this kind of “repatriation” of art ()  was this red-figure Greek vase, dated around 515-510 B.C., I think of Attic origin:This vase, one of the most beautiful depictions we have of one of the most beautiful deaths in the Italy can barely handle the maintenance and restoration of the artwork it has. ); D. 55.1 cm (21 11/16 in.). A classic piece of regressive ideological projection from the NYU site: H. 45.7 cm (18 in. Metropolitan Museum of Art, New York (L.2006.10). I'm Greek (Roman really, but when I say that in English some five people in the world today understand what I'm talking about, so I use "Greek" for shorthand). So we can ask questions about him as a painter, and about his client(s) and the viewers of the pot in late archaic Athens. Whenever I’m there I constantly feel like I have to move very carefully at all times or else I’ll break something.

Cookies help us to give you the best experience on our website. "NikoBako." Athenian youths arming themselves. I say this to people and they look at me like I’m a psycopath, but whenever there’s an earthquake in Italy — not like the 1980 one in Campania, where thousands were killed, but this latest one, for example, in Emilia — I’m less shook up by the casualties than I am by the irreplaceable art and architecture that have been destroyed. Otherwise we'll assume you're OK to continue. It is decorated on the front with a scene depicting the death of Sarpedon, who is attended by Hypnos and Thanatos with the god Hermes looking on.
You can change your cookie settings if you wish. One of my teachers – one of the teachers who was most important for me as an undergraduate and during my doctoral research – had a poster of it on the wall. A final note. Sarpedon’s eyes are closed, his limp hands drag along the ground. He asks Hector to help prevent the Myrmidons from stripping Sarpedon's armor.


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